Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Audiokinetic BlogStudios & pros

Everything All At Once | Mixing METAL EDEN

07.02

Inside the Sound of METAL EDEN: A 5-Part Audio Deep Dive Welcome to this five-part blog series exploring the audio architecture of Reikon Games' fast-paced sci-fi FPS, METAL EDEN .

Mixing & mastering

Read at Audiokinetic Blog ↗

One letter a week, starting soon.

Latest

Everything All At Once | Mixing METAL EDEN

Related

VoicesWCA #601 with Gert Keunen – Immersive Audio, "Stereo Was a Nice Try," a Dozen Careers, and Brewing His Own Beer Working Class Audio

VoicesWCA #600 with Andrew Scheps – Atmos, Imposter Syndrome, Coding Plugins with AI, Climbing Walls, and 600 Episodes Working Class Audio

EuropeSennheiser HD 480 PRO Plus: are these new closed-back headphones a good tool for mixing? Audiofanzine

MakersCarlos de la Garza on Mixing Paramore and Death Cab for Cutie Universal Audio Blog

VoicesWCA #596 with Will Kennedy – Dolby Atmos Focus, Selling Recording Gear, Hidden Coffee Shops, and Mixing Rock in Surround Working Class Audio

ChinaFIFINE Unveils BM88PRO Boom Arm Built for More Immersive Creator Workspaces Fifine