Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Pro Sound EffectsStudios & pros

Why I Founded Pro Sound Effects

09.09

From the Amazon to Brooklyn: The Story Behind Pro Sound Effects In my first blog post , I explained why sound matters now more than ever.

Sound Matters

Read at Pro Sound Effects ↗

One letter a week, starting soon.

Latest

Why I Founded Pro Sound Effects

More from Pro Sound Effects on XLR MAG

Studios & prosSoundQ Update: Smarter, Faster Workflows Pro Sound Effects

Studios & prosDave Whitehead’s Approach to Alien Vocals Pro Sound Effects

Studios & prosWhy Sound Matters More Than Ever Pro Sound Effects

Studios & prosSound as Strategy: The Audio Pro's Guide to Marketing Projects Pro Sound Effects

Studios & prosAlan Howarth's Philosophy of Sound Design Pro Sound Effects

Studios & prosThe First-Ever Native SFX Integration for Avid Media Composer Pro Sound Effects