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About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Guitar.comGuitars

Watch guitar tech mastery in real time as Angine de Poitrine break a string during a live show

September 15

Angine de Poitrine suffered a string break that nearly derailed their whole show as a jam session pushed their instruments to the limit. Guitarist Khn de Poitrine and drummer Klek de Poitrine were performing at Le Poisso

Electric guitars & amps

Read at Guitar.com ↗

GuitarsWin a 75th Anniversary Fender Player II Precision Bass – here’s how to enter Guitar.com

GuitarsNoel Gallagher reveals the “best bit of advice I’ve ever been given” from Johnny Marr about buying guitars Guitar.com

“It’s about having a space that’s big enough to tell 132 years of stories” Gibson’s Mark Agnesi on why Miami’s new Gibson Garage is its biggest yet

Guitars“It’s about having a space that’s big enough to tell 132 years of stories” Gibson’s Mark Agnesi on why Miami’s new Gibson Garage is its biggest yet Guitar.com

EuropeFender ehrt Lee Sklar mit Signature Precision Bass Bonedo

“We’ve never been a Strat band or a Marshall band. It feels a little too on-the-nose for what a rock sound should be”: Troy Van Leeuwen on turning his Custom Shop 12-string into a Squier signature, and channeling Robert Fripp for the new QOTSA record

Guitars“We’ve never been a Strat band or a Marshall band. It feels a little too on-the-nose for what a rock sound should be”: Troy Van Leeuwen on turning his Custom Shop 12-string into a Squier signature, and channeling Robert Fripp for the new QOTSA record Guitar World

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