Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

JenesaispopEurope

U2 revelan por qué han escrito una canción sobre Rosalía

September 28

Al principio parecía que Rosalía iba a colaborar con U2. Cuando se anunció ‘ Carnaval de Luz ‘, algunos medios llegaron a informar de que ‘The Mirror Maker (Rosalía)’ era un featuring con la…

Read at Jenesaispop ↗

One letter a week, in your inbox.

Latest

U2 revelan por qué han escrito una canción sobre Rosalía

More from Jenesaispop on XLR MAG

Europe‘Vamo a vel’, nuevo hit en España; ‘Pa ti toa’ sube al 3 Jenesaispop

Europe‘Patient Zero’: el vídeo gótico de Taylor Swift supera la canción Jenesaispop

Europe¿Queréis hablar de Madonna en los VMAs? Porque es lo único que pasó Jenesaispop

Europe‘La bola negra’ ya es el 2º mejor debut de la década en España Jenesaispop

EuropeClaudia Arenas, entre el cliché y el indie 80s en ‘Nadie es para ti’ Jenesaispop

EuropeLas Petunias, Almodóvar y más, en las protestas contra los desahucios en Sol Jenesaispop