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About

XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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AMAZONA.deEurope

Test: Rode DS3 Desktop-Mikrofonstativ

September 14

Habt ihr schon mal probiert, anderthalb Kilogramm mit ausgestrecktem Arm ein paar Stunden zu halten? Klingt einfach, ist aber kaum zu schaffen. Für das Rode DS3 ist das aber kein Problem. Im Vergleich zum DS2 wird dieser

Mics & outboard

Read at AMAZONA.de ↗

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Test: Rode DS3 Desktop-Mikrofonstativ

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