Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

GrooveEurope

Streamer That Kid Zay: „Ich war noch nie in einem Club oder auf einem Konzert”

October 13

That Kid Zay hört zum ersten Mal Klassiker von DJ Rolando oder Mala – und Zehntausende schauen ihm dabei zu. Wir haben mit ihm gesprochen.

Read at Groove ↗

More from Groove on XLR MAG

EuropeSilja Thoms und Maike von Galen über die ZDF-Recherche zum Hardtechno-Callout: „Wer im Backstage Anzeichen von Machtmissbrauch bemerkt, darf nicht schweigend danebenstehen” Groove

One letter a week, starting soon.

Latest

Streamer That Kid Zay: „Ich war noch nie in einem Club oder auf einem Konzert”

More from Groove on XLR MAG

EuropeSilja Thoms und Maike von Galen über die ZDF-Recherche zum Hardtechno-Callout: „Wer im Backstage Anzeichen von Machtmissbrauch bemerkt, darf nicht schweigend danebenstehen” Groove

EuropePrinthouse: Ehemalige Zeitungsdruckerei in München wird Techno-Club Groove

EuropeDas Münchner Blitz: Club startet Label mit Collector’s Box Groove

EuropeStendal: Tanzcafé brennt erneut nieder Groove

EuropeZukunft: Filmstart der Club-Doku angekündigt Groove

EuropeRAW-Gelände: SKPZ schreibt 13 Atelierräume aus Groove