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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

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Fetched every three hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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Guitar Magazine (ギター・マガジン)Japan

長谷川白紙と細井徳太郎が語る、即興で紡いだ『素直な気持ちアルバム』の新たな音の交差。

October 12

ギター・マガジン2026年11月号では、長谷川白紙の新作『素直な気持ちアルバム』について、本人と、今作に参加したジャズ／即興演奏にも精通するギタリスト・細井徳太郎の対談を掲載。楽曲ごとのアプローチを始め、2人がどのように音を重ねていったのか、その制作背景を聞いた。

Read at Guitar Magazine (ギター・マガジン) ↗

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