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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

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Fetched every six hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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樂手巢 YSOLifeChina

北流「音樂怪博士－陳志遠特展」跨時空線上重現！近千件展品重溫華語金曲幕後傳奇

11.02

臺北流行音樂中心於10月1日正式推出「音樂怪博士－陳志遠特展」線上特展，重現2021年首檔以編曲製作人為主題的實體展覽內容。本次線上展覽完整還原展覽空間與近千件珍貴展品，透過數位技術重現傳奇編曲大師陳志遠的創作足跡，帶領樂迷重新認識陪伴不同世代成長的經典旋律，以及臺灣流行音樂數十年來的發展軌跡。

Read at 樂手巢 YSOLife ↗

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