Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Beat MagazinEurope

So klingen Vocals endlich nach Major-Release – mit und ohne KI

10.05

Muffiger Raumklang, dünne Vocals oder fehlende Sängerinnen? Schluss damit! In der Masterclass zeigen wir dir, wie deine Gesangsspuren endlich nach Major-Release klingen.

Read at Beat Magazin ↗

One letter a week, starting soon.

Latest

So klingen Vocals endlich nach Major-Release – mit und ohne KI

More from Beat Magazin on XLR MAG

EuropeAb sofort gibt’s 6 Ausgaben der professional audio geschenkt zum BEAT-Abo Beat Magazin

EuropeThomann lädt zum Azubitag 2026 nach Treppendorf Beat Magazin

Europe95% nutzen Dolby Atmos falsch – es beginnt nicht erst im Mixing Beat Magazin

Europe„Hauptsache, gute Kabel” – oder: Was wirklich zählt im Proberaum Beat Magazin

EuropeVom Field-Recording zum VST-Instrument: Ein Trip ins Schloss Freudenberg (Teil 1/3) Beat Magazin

EuropeDeep Dives statt Oberfläche: Wer was lernen will, besucht die Beatcon 2026 Beat Magazin