Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Indie HoyAmericas

Simple Plan en Argentina: Fecha, lugar y entradas

10.27

Simple Plan y All Time Low llegarán juntas a la Argentina. El show será el 11 de mayo de 2027 en el Estadio Obras de Buenos Aires y las entradas se venderán exclusivamente a través de CoolCo.

Read at Indie Hoy ↗

One letter a week, starting soon.

Latest

Simple Plan en Argentina: Fecha, lugar y entradas

More from Indie Hoy on XLR MAG

AmericasLas 10 canciones favoritas de Rod Stewart Indie Hoy

AmericasLas 5 mejores bandas de la historia según Billy Corgan Indie Hoy

Americas10 lanzamientos para escuchar esta semana Indie Hoy

AmericasReebok lanzó una colección inspirada en Avatar: la leyenda de Aang Indie Hoy

AmericasThe Who: 5 curiosidades de Quadrophenia, el disco que marcó una época Indie Hoy

AmericasDemian Rugna contó por qué rechazó dirigir una nueva versión de El exorcista Indie Hoy