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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Slate DigitalMakers

Ross Hogarth Never Leaves Home Without the Slate Digital Virtual Mix Rack

August 20

Multi Grammy-Winning Producer/Mix Engineer on Making Classic Records in the Digital Era and Being a Slate Digital ‘OG’ Los Angeles, CA, August 19, 2026 —Producer/Engineer/Mixer Ross Hogarth is the sonic architect behind

Read at Slate Digital ↗

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Ross Hogarth Never Leaves Home Without the Slate Digital Virtual Mix Rack

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