Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Música & MercadoAmericas

Rodrigo Casassus Coke: “O áudio está cada vez mais integrado ao audiovisual”

September 21

Senior Director para América Latina e Caribe da AVIXA analisa as oportunidades para empresas de áudio, distribuição e integração e explica o papel do Brasil no ecossistema Pro AV regional.

Read at Música & Mercado ↗

One letter a week, in your inbox.

Latest

Rodrigo Casassus Coke: “O áudio está cada vez mais integrado ao audiovisual”

More from Música & Mercado on XLR MAG

AmericasRobe amplia portfólio na PLASA 2026 com cinco novos produtos Música & Mercado

AmericasRadar Latino: 5 movimentos que podem afetar o mercado musical nesta semana Música & Mercado

AmericasFohhn amplia plataforma Dante PoE com novas caixas PoE, PoE+ e PoE++ Música & Mercado

AmericasNicolás Madoery e a música líquida: novas regras para uma indústria em transformação Música & Mercado

AmericasO que uma marca internacional procura em um distribuidor latino-americano? Música & Mercado

AmericasProcesso por copyright: Universal acusa DistroKid de IA Música & Mercado