Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

MusikexpressEurope

Review: Mwita Mataro – AUSTRODRAMA: Wien, doppelbödig besungen

10.22

Austropop als loser Leitfaden: Der Künstler, Filmemacher, Musiker sucht nach Bruchstellen. Am Anfang gibt einem Wien erst einmal eine herzliche Umarmung.

Read at Musikexpress ↗

One letter a week, starting soon.

Latest

Review: Mwita Mataro – AUSTRODRAMA: Wien, doppelbödig besungen

More from Musikexpress on XLR MAG

EuropeReview: Shabazz Palaces – IT’S A STYLE SPORT: Werkschau eines Eigenbrötlers Musikexpress

EuropeReview: The Cat’s Miaow – WHEN YOU SMILED AND TURNED AWAY: 34 Jahre auf ein Debüt Musikexpress

EuropeReview: Angela Aux – DAS NICHTS MACHT KOPIEN VON SICH SELBST: Zu brav für die Gegenwart Musikexpress

EuropeReview: Jas – WIR SIND SO SCHÖN VERLOREN: Zwischen Poisel und Forster Musikexpress

EuropeWie Shygirl Liebe in SWALLOW! umdeutet – vom Sound zur Story Musikexpress

EuropeTräume werden wahr: 7 Fakten über Fans, die zu Bandmitgliedern wurden Musikexpress