Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Indie HoyAmericas

Qué ver en Netflix: 3 películas nuevas recomendadas por Indie Hoy

10.30

Si estás buscando qué ver en Netflix, la plataforma renovó su catálogo con relatos cargados de tensión, situaciones inesperadas y tramas centradas en los vínculos personales. Te los presentamos.

Read at Indie Hoy ↗

One letter a week, starting soon.

Latest

Qué ver en Netflix: 3 películas nuevas recomendadas por Indie Hoy

More from Indie Hoy on XLR MAG

Americas¿Una serie para mascotas? Lo nuevo de Netflix que se volvió viral entre los dueños de animales Indie Hoy

Americas5 bandas de rock que nunca cambiaron su formación Indie Hoy

AmericasLas 5 mejores canciones de Lewis OfMan según Indie Hoy Indie Hoy

AmericasLos 3 mejores discos de George Harrison según Indie Hoy Indie Hoy

AmericasDave Grohl admitió que le “robó” a Taylor Hawkins a Alanis Morissette Indie Hoy

AmericasQué dicen las críticas sobre Wildwood: El bosque salvaje, ya en cines Indie Hoy