Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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Les Inrocks — MusiqueEurope

“Pussy Riot : Riot Days”, une performance pour retracer le combat politique du groupe punk russe

11.02

À mi-chemin entre musique live, spoken word et vidéo, cette performance multimédia retrace les années d'engagement militant de Maria Alekhina, membre du groupe punk russe Pussy Riot.

Read at Les Inrocks — Musique ↗

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“Pussy Riot : Riot Days”, une performance pour retracer le combat politique du groupe punk russe

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