Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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Australian MusicianScenes

PETE MURRAY – PLAYING ‘FEELER’ AND ‘SEE THE SUN’ IN-FULL AT FREMANTLE PRISON

October 12

For the first time in his outstanding 25-year career, Pete Murray will be performing his two most iconic albums ‘Feeler’ and ‘See the Sun’ in-full, back-to-back, celebrating 25 years in music.

Read at Australian Musician ↗

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PETE MURRAY – PLAYING ‘FEELER’ AND ‘SEE THE SUN’ IN-FULL AT FREMANTLE PRISON

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