Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Rolling Stone ArgentinaAmericas

Peaches vuelve a la Argentina: “Lo único que espero es que no se asusten y me ayuden a tirarme al público”

11.11

Peaches visitó por última vez la Argentina hace ya una década. De aquel viaje para tocar en el Festival BUE recuerda que se encontró con la artista visual Silvana Muscio, que visitó el espacio…

Read at Rolling Stone Argentina ↗

One letter a week, starting soon.

Latest

Peaches vuelve a la Argentina: “Lo único que espero es que no se asusten y me ayuden a tirarme al público”

More from Rolling Stone Argentina on XLR MAG

AmericasJ.D. Payne habla de la tercera temporada de El Señor de los anillos: Los anillos del poder Rolling Stone Argentina

AmericasCrítica: Entre tierras Rolling Stone Argentina

AmericasPaul McCartney se convirtió en el tercer músico más rico del mundo Rolling Stone Argentina

AmericasSophie Okonedo: “El duelo no es lineal” Rolling Stone Argentina

AmericasJohn Leguizamo y La Odisea: Una épica para todos Rolling Stone Argentina

AmericasAdam Driver confesó que era “el momento” para actuar en X-Men Rolling Stone Argentina