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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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NeumannStudios & pros

Neumann enrichit sa gamme de moniteurs trois voies avec les KH 310 II et KH 350

September 10

Bruxelles, Belgique, le 10 septembre 2026 – Neumann dévoile les KH 310 II et KH 350 , deux moniteurs de studio trois voies de nouvelle génération qui associent plusieurs décennies d’expertise acoustique à une nouvelle et

Mics & outboard Monitors & headphones

Read at Neumann ↗

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