Skip to content

XLR MAG

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

MikikiJapan

NEK!『B!NARY』ネット発〈スラングロックバンド〉が放つメジャー初EP SNS世代の悩みや現状打破を掲げた曲など勢いのあるナンバーが並ぶ - レビュー

September 30

NEK!『B!NARY』ネット発〈スラングロックバンド〉が放つメジャー初EP SNS世代の悩みや現状打破を掲げた曲など勢いのあるナンバーが並ぶ

Read at Mikiki ↗

More from Mikiki on XLR MAG

JapanSATELLITE LOVERS『MUSIC』海外で発見された渋谷系バンドの1stが再発橋本徹と共同プロデュースで90年代前半の空気を真空パックした一枚 - レビュー Mikiki

Japanダヒ（Dahi）『Black Boy (Alternative)』藤井風との仕事でも知られるヒップホップ／R&Bの奇才による初リーダーアルバムはオルタナ感全開の怪作 - レビュー Mikiki

Japanルーカス・グラハム（Lukas Graham）『Good Times』ブルーアイドソウルから本格的なアイリッシュフォーク／ブルーグラスへ路線変更 - レビュー Mikiki

Japanジェームズ・エーネス&アンドルー・アームストロング（James Ehnes & Andrew Armstrong）『ブラームス：ヴァイオリン・ソナタ集』正統派らしい丁寧で純度の高い演奏 - レビュー Mikiki

Japan小田和正が『きっと!』を通して伝えたいこと――地元横浜でのライブ音源と新曲で示されたアーティストとしての現在地を確かめる - コラム Mikiki

JapanMrs. GREEN APPLEが『POPS』で体現する日本のポップスの最新型――3人の奔放なトライアルが反映された新曲9曲をレビュー - コラム Mikiki

More from Mikiki on XLR MAG.