Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

NMEScenes

Neil Young: “‘Digger’ is the best film I have ever seen”

October 16

Neil Young has said that Tom Cruise ’s divisive Digger is the “best film” he’s ever seen, and encouraged fans to ignore the negative reviews it’s received.

Read at NME ↗

Also covered by: Rolling Stone Music, Consequence

One letter a week, starting soon.

Latest

Neil Young: “‘Digger’ is the best film I have ever seen”

More from NME on XLR MAG

ScenesFontaines D.C. special of ‘Later… With Jools Holland’ to air next month NME

ScenesU2 share epic new single ‘The Greatest Show On Earth’ and first dates of 2027 world tour NME

ScenesFive new Rolling Stones songs are on the way for ‘Loose Lips’ deluxe edition of ‘Foreign Tongues’ NME

ScenesNew report shows extent of racial bias in licensing against Black music events in London NME

ScenesJustice are behind the ‘Grand Theft Auto 6’ soundtrack NME