Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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BonedoEurope

Martin O’ahu HG-28K2 & TKE Uke Burst – zwei neue Familienmitglieder in Martins O’ahu-Serie

October 7

Mit der HG-28K2 und der TKE Uke Burst erweitert Martin seine O’ahu-Serie um zwei neue Instrumente. Die 2024 ins Leben gerufene Serie ist eine Hommage an Martins historische Beziehung zur…

Read at Bonedo ↗

Also covered by: AMAZONA.de, Audiofanzine (FR)

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Martin O’ahu HG-28K2 & TKE Uke Burst – zwei neue Familienmitglieder in Martins O’ahu-Serie

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