Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Rolling Stone ArgentinaAmericas

La vuelta de Jaime Sin Tierra: “No somos conscientes de lo que significan esas canciones para mucha gente”

11.09

Se miran. Uno, dos, tres, cuatro. Y arrancan. Ocho años después del último concierto juntos, Nicolás y Sebastián Kramer, Juan Stewart y Javier Diz vuelven a estar frente a frente en el sótano de…

Read at Rolling Stone Argentina ↗

One letter a week, starting soon.

Latest

La vuelta de Jaime Sin Tierra: “No somos conscientes de lo que significan esas canciones para mucha gente”

More from Rolling Stone Argentina on XLR MAG

AmericasEl debut solista de Ronnie Wood en Buenos Aires: como un Rolling Stone Rolling Stone Argentina

AmericasCrítica: El último gran golpe (The Get Out) Rolling Stone Argentina

AmericasCrítica: A cualquier precio (By Any Means) Rolling Stone Argentina

AmericasEntre tierras: la deportación contada desde su dolor Rolling Stone Argentina

AmericasAsí es ‘Bravas mucachitas’, el libro en el que 30 mujeres le escriben al Indio Solari Rolling Stone Argentina

AmericasWO[E]MAN: Sofia Monroy y los distintos frames de ser mujer Rolling Stone Argentina