Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

NMEScenes

Glastonbury 2027: coach tickets oversold in admin error

10.22

Coach tickets to Glastonbury 2027 have been oversold due to an admin error from the festival’s ticketing partner.

Read at NME ↗

More from NME on XLR MAG

ScenesChvrches announce first album in nearly six years ‘All The King’s Men’ along with 2027 UK, Ireland and North America tour NME

ScenesAngine De Poitrine announce huge 2027 world tour – including Halifax and London dates around Glastonbury NME

ScenesSharon Osbourne says ‘Back To The Beginning’ was a celebration of “people who have been considered the bastards of the music industry for so long” NME

ScenesDaft Punk reportedly turned down ‘GTA 6’ soundtrack offer before Justice said yes NME

ScenesIAMDDB hits back at Israeli government “stealing her identity” by using AI-generated version of her likeness NME

ScenesHayley Williams defends Fontaines D.C.’s ‘Dopamine Chamber’ against “guys on the internet” who can’t accept band are “multi-faceted and stylistically versatile” NME

One letter a week, starting soon.

Latest