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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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PLSNLive & DJ

Frédéric (Aldo) Fayard and Concept K Call on CHAUVET Professional at Rock En Seine

September 11

Frédéric (Aldo) Fayard and his Concept K team designed the Main Stage and the Boursobank Stage rigs at the Rock En Seine festival in France. The Concept K design harmonized the big stage and brought it into focus with an

Lighting & stage

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Frédéric (Aldo) Fayard and Concept K Call on CHAUVET Professional at Rock En Seine

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