Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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Fender’s overhauled American Professional line has officially dropped – Guitar World editors react

October 15

Fender’s updated American Professional series is here – representing one of the biggest overhauls of the firm’s core US line we’ve seen in years, and its top priority for 2026.

Electric guitars & amps

Read at Guitar World ↗

GuitarsRandy Rhoads, Marty Friedman and Scott Ian honored in Jackson’s new Legend Series – celebrating some of the most iconic guitars in the brand's history Guitar World

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Fender’s overhauled American Professional line has officially dropped – Guitar World editors react

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