Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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ConsequenceScenes

Ethel Cain and Composer Robin Carolan Share Brooding New Song “Wynter Waxeth” for Robert Eggers’ Werwulf: Stream

11.13

Ethel Cain and Robin Carolan have unveiled “Wynter Waxeth,” a new song rom Robert Eggers’ forthcoming film Werwulf.

Read at Consequence ↗

Also covered by: Dansende Beren

One letter a week, starting soon.

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Ethel Cain and Composer Robin Carolan Share Brooding New Song “Wynter Waxeth” for Robert Eggers’ Werwulf: Stream

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