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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Guitar Magazine (ギター・マガジン)Japan

dragonfly／BC CUSTOM TT 大渡亮が国産ブティック・ギターを一挙試奏！

September 15

国産ブティック・ギター・ブランドのビルダーや仕掛け人たちに、音楽的なルーツやギター製作の哲学を聞いた『にっぽんのエレキ人 2026』では、各ブランドのオリジナル・ギター18本をDo As Infinityの大渡亮が徹底試奏！その試奏部分をWEBでもお届けしよう。今回はdragonflyのBC CUSTOM TT。取材／文＝鈴木伸明撮影＝星野俊デザイン＝須藤廣高 dragonfly／BC CUSTOM TT 【Specificat

Read at Guitar Magazine (ギター・マガジン) ↗

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dragonfly／BC CUSTOM TT 大渡亮が国産ブティック・ギターを一挙試奏！

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