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· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

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This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

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Fetched every six hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

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樂手巢 YSOLifeChina

音樂人如何取得海外音樂節出演機會？DMZ Peace Train Music Festival 策展人李受靜 Cecilia Soojeong Yi 專訪

10.27

登上海外音樂節舞臺是許多獨立音樂人走向國際化的重要里程碑，但在全球成千上萬的音樂人當中，策展人如何挑選出合適的卡司陣容？音樂人又該如何自薦？韓國知名音樂節 DMZ PEACE TRAIN MUSIC FESTIVAL 策展人兼 ALPS Inc.

Read at 樂手巢 YSOLife ↗

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