Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Rolling Stone ArgentinaAmericas

Dillom: “Si no te da un poco de vergüenza mostrar tu música, algo mal estás haciendo”

September 30

“Estamos haciendo nuestra mejor música, por lo menos en mi opinión, después cada uno tendrá la suya”, dice Dillom .

Read at Rolling Stone Argentina ↗

One letter a week, in your inbox.

Latest

Dillom: “Si no te da un poco de vergüenza mostrar tu música, algo mal estás haciendo”

More from Rolling Stone Argentina on XLR MAG

AmericasStar Wars selecciona a Jon Watts como director para el Episodio X del Skywalker Saga Rolling Stone Argentina

AmericasRyan Murphy, creador de Glee, afirma que terminó el guion para el reboot de la serie Rolling Stone Argentina

AmericasGarth Jennings: “El arte puede devolvernos la esperanza” Rolling Stone Argentina

AmericasCrítica: Sin sangre (Without Blood) Rolling Stone Argentina

AmericasThe Peninsula Istanbul, el hotel con vista a la historia de Turquía Rolling Stone Argentina

AmericasU2: soñándolo todo una vez más Rolling Stone Argentina