Skip to content

XLR MAG

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

MikikiJapan

フォンテインズD.C.（Fontaines D.C.）がロックの頂点へ登り詰める! エレクトロニックな要素を取り入れた意欲作『Dopamine Chamber』 - コラム

10.26

フォンテインズD.C.（Fontaines D.C.）がロックの頂点へ登り詰める! エレクトロニックな要素を取り入れた意欲作『Dopamine Chamber』

Read at Mikiki ↗

More from Mikiki on XLR MAG

Japanアンネレーン・レナエルツがティモシー・リダウト&アダム・ウォーカーと名録音を残す――3人の名手が『French Trios』で表現した優美な色彩 - コラム Mikiki

Japanユーペン・チェン（Yu Peng Chen）が語る、自らの人生と向き合った新作『The Poem Of Life』とまだ見ぬ未来への思い - インタビュー Mikiki

Japan【タワレコ店長おすすめの1枚】藤井風もプロデュースしたダヒ（Dahi）からケンドリック・ラマー参加の新作『Black Boy (Alternative)』到着! - 連載 Mikiki

JapanBillyrrom『P‘I’CTUS』ディスコ、ソウル、ファンクなどを軸に世界のリスナーを踊らせる6人組がメジャー初作で現在地を示す - レビュー Mikiki

JapanHump Back『やわらかな洞窟』メンバー全員が出産を経たOKAN BANDの現在が垣間見えるレーベル移籍第1弾作 - レビュー Mikiki

Japanディジー・ラスカル（Dizzee Rascal）『We Want Bass』バン・Bとついに再会、鋭利なフロウを速射しながらアッパーに踊り続ける - レビュー Mikiki

More from Mikiki on XLR MAG.