Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Rolling Stone ArgentinaAmericas

Crítica: The Man I Love

October 13

Después de aquel grandioso experimento cinematográfico llamado Peter Hujar’s Day , en el que consiguió convertir una conversación entre dos amigos en una fascinante exploración de la vida cotidiana y…

Read at Rolling Stone Argentina ↗

One letter a week, starting soon.

Latest

Crítica: The Man I Love

More from Rolling Stone Argentina on XLR MAG

AmericasConoce a los artistas españoles que están nominados en los Premios ROLLING STONE en Español Rolling Stone Argentina

AmericasHotel de Russie: Un “paraíso en la tierra” Rolling Stone Argentina

AmericasMastodon lanzará vinilos que contienen fósiles reales de mastodontes Rolling Stone Argentina

AmericasLa industria musical necesita tomar en serio las denuncias de violencia de género [OPINIÓN] Rolling Stone Argentina

Americas‘La Falda’, lo nuevo de Judeline Rolling Stone Argentina

AmericasCrítica: National Theatre: El quinto paso (The Fifth Step) Rolling Stone Argentina