Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

SoundGirlsVoices

Catherine Wood: Los Angeles-based engineer, producer, and studio owner

08.06

Catherine Wood is the owner if Los Angeles studio Planetwood, and has an amazing body of work as a producer and engineer.

Studios & rooms

Read at SoundGirls ↗

One letter a week, starting soon.

Latest

Catherine Wood: Los Angeles-based engineer, producer, and studio owner

Related

JapanImage-Line : FL Studio 2026 リリース！ Hook Up

MakersWhat a Home Studio Actually Costs, and Where to Spend Black Rooster Audio

MakersSave your FL Studio projects to the cloud Image-Line FL Studio

MakersHow iHeart's Ruby Studio Uses Apollo to Podcast at Scale Universal Audio Blog

VoicesWCA #606 with Neil Rogers – Eighteen Years of Half-ton Studios, Bootstrapping in Cambridge, and Writing for Sound on Sound Working Class Audio

MakersInside the Self-Built Atmos Studio of MPG-Nominated Mixer Kurt Martinez Audient