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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Tape OpStudios & pros

Catherine Anne Davies: is Still The Anchoress

August 3

In issue #149 of Tape Op , I was lucky enough to interview Catherine Anne Davies about her musical career as The Anchoress. We've kept in touch a little bit since, and when her new album, As We Once Were , was annou

Interview

Read at Tape Op ↗

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Latest

Catherine Anne Davies: is Still The Anchoress

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Catherine Anne Davies: is Still The Anchoress

Related

Studios & prosNew Album and Video from Porcelain, Produced by Scott Evans Tape Op

Studios & prosNew Shearwater Album and Videos Tape Op

Studios & prosLaura Veirs&apos; new LP, Temple Songs, coming soon! Tape Op

Studios & prosMeaningful Stone - New Song and Video with Jay Som Tape Op

Studios & prosNew LP from Hannah Cole Mixed by Sonny DiPerri Tape Op

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Studios & prosLaura Veirs' new LP, Temple Songs, coming soon! Tape Op