Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

GrooveEurope

Caterina Barbieris letzte Biennale Musica in Venedig: Kinderohren lassen sich nicht täuschen

11.11

Caterina Barbieri hat zum zweiten und letzten Mal die Biennale Musica in Venedig kuratiert. Wir waren vor Ort und haben erlebt, wie unter dem „A Child of Sound“-Konzept elektronische Musik mit und…

Read at Groove ↗

One letter a week, starting soon.

Latest

Caterina Barbieris letzte Biennale Musica in Venedig: Kinderohren lassen sich nicht täuschen

More from Groove on XLR MAG

EuropeGROOVE Podcast 525 – Rework Groove

Europe28 Fragen: Hercules & Love Affair Groove

Europe„Wizards Of Sound“: Jazzpianist Laurent de Wilde erzählt, wer die elektronische Musik erfunden hat Groove

EuropeUS-Konzern übernimmt deutsche Festivals: Nature One und Airbeat One werden Teil der Enhanced Group Groove

Europe„IGNITE“: Behringer entwickelt Open-Source-Sequenzer für Hardware-Setups Groove

EuropeDie MS Stubnitz in Hamburg: Befristeter Liegeplatz und ungewisse Zukunft Groove