Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Rolling Stone ArgentinaAmericas

Carrie: Medio siglo de furia adolescente

10.21

Cuando Carrie llegó a las librerías en 1974, Stephen King tenía 26 años, trabajaba como profesor y en una lavandería, y no reinaba sobre el terror.

Read at Rolling Stone Argentina ↗

One letter a week, starting soon.

Latest

Carrie: Medio siglo de furia adolescente

More from Rolling Stone Argentina on XLR MAG

AmericasMariana Rondón: “De cada momento histórico de Venezuela teníamos una película” Rolling Stone Argentina

AmericasLas distintas caras de la música urbana en los ZYN Premios ROLLING STONE en Español Rolling Stone Argentina

AmericasCrítica: Madre siniestra (Other Mommy) Rolling Stone Argentina

AmericasCrítica: Pacífico Rolling Stone Argentina

AmericasRoger Waters dice que James Hetfield es un “imbécil” por criticar a artistas que apoyan causas políticas Rolling Stone Argentina

AmericasVeramente: un recorrido por la cocina italiana desde el corazón de Milán Rolling Stone Argentina