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XLR is a magazine, a radar and a diary about music gear and the making of music — for the people who make records and put on shows, wherever they do it.

The name is the three-pin connector that every signal in the business passes through: the microphone on stage and in the booth, the line to the desk, the DMX cable that runs the lights. Studio, stage and lighting rig share it, and so does this magazine. Every few hours XLR collects what the makers shipped, what the reviewers heard, what the studios and the touring crews are doing, which producers and collectives are surfacing and what they are saying — synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lights, the rooms and the people — from a few hundred sources in English, German, French, Spanish, Japanese and more, then plots what is moving. The editor writes a letter every few days. Nothing is sold here; when a link leads to a shop, that is the maker's shop, not ours.

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Modern DrummerDrums

Big, Loud and Muscular: Stephen Perkins’ Return to ’70s Rock

September 8

When Stephen Perkins formed The Panic Channel, he wanted to step away from the fast-moving, tom-heavy language of Jane’s Addiction and Porno for Pyros. His answer was a massive custom DW kit inspired by Jimmy Page, John

Read at Modern Drummer ↗

DrumsThe Rebirth of Jane’s Addiction: Stephen Perkins’ 1997 Relapse Tour Kit Modern Drummer

DrumsThe Drum Kit That Gave Stephen Perkins a New Voice Modern Drummer

MMMF’s annual benefit concert to host Tribute to Keith Moon with special guest drummers Gregg Bissonette and Stephen Perkins on November 1st at Central Machine Works in Austin

DrumsMMMF’s annual benefit concert to host Tribute to Keith Moon with special guest drummers Gregg Bissonette and Stephen Perkins on November 1st at Central Machine Works in Austin Modern Drummer

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Big, Loud and Muscular: Stephen Perkins’ Return to ’70s Rock

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