Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

HispasonicEurope

Behringer Polykeys 61, un controlador con aftertouch polifónico y de código abierto

11.01

Behringer ha enseñado en Facebook el Polykeys 61, un teclado controlador con aftertouch polifónico, cinta táctil, 16 pads y firmware de código abierto.

Read at Hispasonic ↗

Also covered by: Audiofanzine (FR)

One letter a week, starting soon.

Latest

Behringer Polykeys 61, un controlador con aftertouch polifónico y de código abierto

More from Hispasonic on XLR MAG

EuropeElectra One mk3, un controlador con pantalla de 8 pulgadas, RTP-MIDI y OSC por Ethernet Hispasonic

EuropeBehringer VCX3: primeras unidades del clon del EMS VCS3 Hispasonic

Europesndstation convierte tu consola de videojuegos portátil en una estación musical basada en Linux Hispasonic

EuropeNeve Elements: procesadores analógicos 88R y 1084 controlados desde el DAW Hispasonic

EuropeChemi López en Conectados: grabar flamenco sin ecualizar y la historia del cante Hispasonic

EuropeDecent Sampler 1.40.1, el sampler gratuito estrena autosampler y carga de instrumentos Kontakt Hispasonic