Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

GrooveEurope

Baggy, Rave und Eurodance: ARTE zeigt Doku zur 90er-Sehnsucht

11.05

Das ARTE-Magazin „Twist – Kultur & Pop” widmet sich in einer neuen Ausgabe dem Phänomen der 90er-Nostalgie und beleuchtet, warum die vermeintlich trashige Dekade heute einen ganz besonderen Nerv…

Read at Groove ↗

More from Groove on XLR MAG

EuropeClub- und Festival-Monitoring 2026: Diese Umfrage braucht Zahlen aus der Szene Groove

EuropeRafik Greiss über „The City and the City“ in den Berliner KW: „Ich bin nicht sicher, ob das Warten jemals endet – und vielleicht ist das gar nicht so schlecht“ Groove

One letter a week, starting soon.

Latest

Baggy, Rave und Eurodance: ARTE zeigt Doku zur 90er-Sehnsucht

More from Groove on XLR MAG

EuropeClub- und Festival-Monitoring 2026: Diese Umfrage braucht Zahlen aus der Szene Groove

EuropeRafik Greiss über „The City and the City“ in den Berliner KW: „Ich bin nicht sicher, ob das Warten jemals endet – und vielleicht ist das gar nicht so schlecht“ Groove

EuropeSweet Club: Münchner Diskothek muss schließen Groove

EuropeCevin Fisher: Zanzibar-Resident und „The Freaks Come Out“-Produzent verstorben Groove

EuropeZum Tod von Juan Atkins: „Er hat Techno erdacht, bevor es irgendeiner von uns tat“ Groove

EuropeGROOVE Podcast 524 – Paàl Groove