Skip to content

XLR MAG

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Sound & Recording (サンレコ)Japan

国立競技場の音を耳元へ直接配信？ Auracast活用の補聴支援、9月27日国内初の運用事例に

September 18

次世代の無線通信システム「Auracast™（オーラキャスト）」を活用した音声の直接配信システムが、2026年9月27日（日）17時にMUFGスタジアム（国立競技場）にてキックオフの日本フットボールリーグ（JFL）「クリアソン新宿対沖縄SV（新宿の⽇26-27）」にて導入・検証される。

ニュース Auracast Bluetooth LE Audio Carousel

Read at Sound & Recording (サンレコ) ↗

More from Sound & Recording (サンレコ) on XLR MAG

Japan『映画ちいかわ人魚の島のひみつ』の音楽はいかにして生まれた？〜トクマルシューゴ／上水樽力／原真人スペシャル座談会 Sound & Recording (サンレコ)

Japanシンセシスとサンプリングを融合させたキック特化のハイブリッド音源！ D16 GROUP PunchBox 2 レビュー Sound & Recording (サンレコ)

JapanDP12でDolby Atmosミックス？ AIステム分離機能も搭載！〜MOTU Digital Performer 12リリース Sound & Recording (サンレコ)

Japan【フジロック'26】maya ongakuライブレポ＆機材紹介〜L/Rでキャラクターの異なるFENDER Twin Reverbを使用。園田努のコメントも Sound & Recording (サンレコ)

Japan【フジロック'26レポート】今年は合計123,500人が熱狂！国内最大級の野外音楽フェスにサンレコ編集部が潜入 Sound & Recording (サンレコ)

JapanDante時代のシステム音響を支えるDSPと4chパワー・アンプ。UNiKA「DSP-428II」「UD-154／UD-084」発売 Sound & Recording (サンレコ)

More from Sound & Recording (サンレコ) on XLR MAG.