Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Lighting&Sound AmericaLive & DJ

AES Show Enjoys Big Gains in Attendees, Exhibitors

11.09

The Audio Engineering Society (AES) reports a successful AES Show Nashville 2026, held October 30 - November 1 at the Gaylord Opryland Resort & Convention Center.

Business News

Read at Lighting&Sound America ↗

One letter a week, starting soon.

Latest

AES Show Enjoys Big Gains in Attendees, Exhibitors

More from Lighting&Sound America on XLR MAG

Live & DJElation to Reveal the Next Chapter of Proteus at LDI 2026 Lighting&Sound America

Live & DJPro Subrental Marketplace to Moderate Rental Software Shootout at LDI Lighting&Sound America

Live & DJPRG Appoints Former SoundCloud COO and CFO Drew Wilson as Chief Financial Officer Lighting&Sound America

Live & DJColor Kinetics Debuts ActiveBeam Technology for Electronic Beam Angle Control with No Moving Parts Lighting&Sound America

Live & DJSontronics Introduces the SOLO W2 Wireless Microphone Capsule Lighting&Sound America

Live & DJAuracast Assistive Listening System Auri Stars in Off-Broadway Production Lighting&Sound America