Skip to content

XLR MAG

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

Sound & Recording (サンレコ)Japan

【フジロック'26】Soichi Teradaライブレポ＆機材紹介〜ダイナミック・レンジを圧縮せずに最終アウトへ。本人コメントも

September 18

前夜祭も含む4日間で合計123,500人が来場した今年のFUJI ROCK FESTIVAL（以下フジロック）。本記事では、RED MARQUEEの深夜帯を盛り上げたSoichi Teradaのライブレポート、ライブセットの紹介、本人へのアンケートをお届けする。

レポート有料会員限定 FUJI ROCK FESTIVAL Soichi Terada

Read at Sound & Recording (サンレコ) ↗

More from Sound & Recording (サンレコ) on XLR MAG

Japan【フジロック'26】LAUSBUBライブレポ＆機材紹介〜KORG MS-20 Miniの音色を曲に合わせて作りながら演奏。Ricoコメントも Sound & Recording (サンレコ)

Japan国立競技場の音を耳元へ直接配信？ Auracast活用の補聴支援、9月27日国内初の運用事例に Sound & Recording (サンレコ)

Japan『映画ちいかわ人魚の島のひみつ』の音楽はいかにして生まれた？〜トクマルシューゴ／上水樽力／原真人スペシャル座談会 Sound & Recording (サンレコ)

Japanシンセシスとサンプリングを融合させたキック特化のハイブリッド音源！ D16 GROUP PunchBox 2 レビュー Sound & Recording (サンレコ)

JapanDP12でDolby Atmosミックス？ AIステム分離機能も搭載！〜MOTU Digital Performer 12リリース Sound & Recording (サンレコ)

Japan【フジロック'26】maya ongakuライブレポ＆機材紹介〜L/Rでキャラクターの異なるFENDER Twin Reverbを使用。園田努のコメントも Sound & Recording (サンレコ)

More from Sound & Recording (サンレコ) on XLR MAG.