Skip to content

XLR MAG

Latest

On the calendar

· Trade shows and launch events, this week's stories from each corner of the industry, and what its press is covering.

On view

This week, from that corner the newest stories from the corner of the industry you picked

The wire their own posts, translated

How records get made in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.

← XLR MAG Archive

MikikiJapan

【タワレコ店長おすすめの1枚】シンガポールの至宝シャイ（Shye）の『The Doves Came Home』はゴシックロック好きにまで刺さる名盤! - 連載

10.19

【タワレコ店長おすすめの1枚】シンガポールの至宝シャイ（Shye）の『The Doves Came Home』はゴシックロック好きにまで刺さる名盤!

Read at Mikiki ↗

More from Mikiki on XLR MAG

Japanポルノグラフィティ『果実』〈被爆80年プロジェクト〉テーマ曲など言葉一つ一つの説得力、圧倒的な熱量に魂を揺さぶられる13枚目 - レビュー Mikiki

JapanBattahshit『Boogie Alone』東京台東区出身のラッパー／トラックメイカーの新作じんわりとソウルが宿るホーンサンプルに惹かれる曲も - レビュー Mikiki

JapanVA『Hospital Records: Forza Horizon 6』人気ゲームのコンピに老舗レーベルから新旧の顔ぶれが集結なかむらみなみ参加曲も - レビュー Mikiki

Japanビリー・ストリングス（Billy Strings）『So Much For Goodbyes』ブルーグラスシーンを背負って立つ男がマスロック風なども聴かせる1枚 - レビュー Mikiki

Japanジャック・ワイリー（Jack Wyllie）『Eternal Spring』気鋭のサックス／フルート奏者がミニマルからアンビエント、ポストロックまで華麗に横断 - レビュー Mikiki

Japan『阿波の遊行弍』檜瑛司が四国で続けた地道なフィールドレコーディングを久保田麻琴が編纂、マスタリングしたアルバムの第2弾 - レビュー Mikiki

More from Mikiki on XLR MAG.