Treble

10 stories

TrebleScenesTom Morello offers no compromises The former Rage Against the Machine guitarist talks 'Everyone Gets Everything They Want,' fighting back, and making music with his son

September 25

TrebleScenesActress : Radical Frame The UK producer at his most disjointed

September 24

TrebleScenesHear Many Blessings’ unnerving new album Acts of Service, and read our interview Primitive Man frontman's noise project's new album out Friday

September 24

TrebleScenesJulia Jacklin : The Gem Grappling with a yearning for love but also freedom, Jacklin dives into the push and pull of these two opposing wants

September 23

TrebleScenesThe Best Albums of the 21st Century: Digital Witness Albums of the Internet age: Message board cult classics, shifting business models, TikTok faves, anonymous Youtube channels and more

September 23

TrebleScenesJeff Parker covers John Coltrane’s “Miles’ Mode” for jazz legend’s 100th birthday "It's an honor to pay tribute to him"

September 23

TrebleScenesQueens of the Stone Age release new song, “Where the Goth Girls At?” 'Perfecth' is out October 30

September 23

TrebleScenesGreen Lung : Necropolitan A tasty occult treat!

September 22

TrebleScenesKrill announce new album, Secret Language Hear "Dominate"

September 22

TrebleScenesHear a soulful new jazz song from Dexter Story, “Fiat” (feat. Kibrom Birhane) New album 'T'Som' out October 30

September 22

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.