Treble

10 stories

TrebleScenesBeastie Boys announce Licensed to Ill anniversary reissue Featuring mastering from the original tapes and liner notes from Chuck D

11.12

TrebleScenesOlivia Rodrigo : you seem pretty sad for a girl so in love Pop songs that burst like supernovas about how love makes you crazy

11.12

TrebleScenesHear a new single from Matthew Dear, “Dizzy” Hear the latest from the veteran producer and songwriter

11.11

TrebleScenesBy Storm : My Ghosts Go Ghost The first post-Injury Reserve record from Nathaniel Ritchie and Parker Corey is a piece of art with distinct and complex character

11.11

TrebleScenesArmand Hammer release new album Snakes & Ladders Hear the duo's surprise new album, out now

11.11

TrebleScenesAndi Harriman’s 33 1/3 entry on The Cure’s Disintegration is a fitting tribute to the goth icons The author captures why such a dark and gloomy sound means so much to so many

11.10

TrebleScenesMy New Band Believe announce North American tour dates Plus new video for "Heart of Darkness"

11.10

TrebleScenesSwiss psych-rockers Honshu Wolves find hope in “Hello Life” 'B.B. Brave' is out November 20

11.10

TrebleScenesAnna Butterss, John Raymond & Ben Lumsdaine : Beginningless A jazz trio record that's moody, foggy and muscular

11.10

TrebleScenesTreble’s Gift Guide for Music Lovers 2026 A selection of coveted items that the music lover in your life will definitely want to unwrap

11.09

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

More than three hundred sources, in sixteen languages: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.