Point Blank Music School

10 stories

Point Blank Music SchoolGearStart Your Music Career This January at pointblank A new year brings new opportunities, and January could be the perfect

10.22

Point Blank Music SchoolGearJoe Smooth’s ‘Promised Land’ Track Deconstruction with Ski Oakenfull at IMS Ibiza Few house tracks have stood the test of time quite like Joe

10.20

Point Blank Music SchoolGearpointblank x Ditto X: Exclusive Student Discounts and Opportunities At pointblank, we pride ourselves on being deeply connected to the music

10.15

Point Blank Music SchoolGear5 Black Artists Shaping the UK Music Industry Black History Month is a time to celebrate the incredible contributions of

10.12

Point Blank Music SchoolGearpointblank x E1 London: Exclusive Performance Opportunities for Students At pointblank, we’re proud of the unique, real-world opportunities we regularly bring

10.09

Point Blank Music SchoolGearDJ Mag Top 100 DJs 2026: The Biggest Moments from UNVRS Ibiza Ibiza has never needed much of an excuse for a big night.

10.07

Point Blank Music SchoolGearpointblank & Optimum Media Group partner to support the next generation of DJs and producers pointblank music school and Optimum Media Group (OMG) are excited to announce

10.05

Point Blank Music SchoolGearFreshers Week at pointblank: Events, Open Mics & Networking Freshers Week is here, and plenty is happening at pointblank music school

10.01

Point Blank Music SchoolGear7 Jobs in the Music Industry You Might Not Have Considered When people talk about jobs in the music industry, the same careers

09.28

Point Blank Music SchoolGearADE 2026: Line-Up, Dates, Masterclasses & Opportunities Amsterdam Dance Event is turning 30, and ADE 2026 is shaping up

09.23

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.