CX Network

10 stories

CX NetworkLive & DJLSC & Controllux deliver powerful flexibility for Dutch theatres Through July and August, Controllux specified, provided, and installed intelligent power management systems from LSC across four theatres

11.04

CX NetworkLive & DJWin a Master FX Mystic Mini Hazer! A $2,999 haze package up for grabs from StageKraft!

11.04

CX NetworkLive & DJList your production/Rental business in the 2027 CX Directory! Our Directory is open to any company that provides production services and/or rents out equipment, and will run in the Dec print edition and as a searchable directory on our…

11.04

CX NetworkLive & DJAdelaide Festival Centre Enjoys New Anolis Installation Two venues at Adelaide Festival Centre’s multi-purpose arts centre complex are now benefitting from new Anolis LED house lighting installations.

11.03

CX NetworkLive & DJGCCEC Completes Phase One of Multimillion-Dollar Tech Investment Gold Coast Convention and Exhibition Centre has completed a multimillion-dollar upgrade to lighting, sound and technical infrastructure

11.03

CX NetworkLive & DJWestern Springs Bowl: Building a Music-First Venue From this October, Western Springs Bowl opens as a purpose-built, semi-permanent concert venue for Auckland.

11.03

CX NetworkLive & DJCLSA Turns 50! "I believe our ability to embrace change, learn from others and invest for the long term has been central to CLSA’s survival and continued development."

11.03

CX NetworkLive & DJMichael Hassett Honoured … TDC founder Michael Hassett is recognised for 45 years of innovation, leadership and contribution to Australia's events industry.

11.03

CX NetworkLive & DJSpotlight on One of the Heavy Lifting People About 15 minutes before showtime, the monitor technician for the headliner band said, ‘We’re off for dinner; here’s the monitor desk.’

10.30

CX NetworkLive & DJBusiness Partnerships – Different to band partnerships! The chaos around the new Payday Superannuation rules caused a lot of music acts – bands and duos – to restructure as partnerships

10.27

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.