Chauvet Professional

10 stories

Chauvet ProfessionalLive & DJLight Snacks: Smarter Rigging with COLORado PXL Curve 1 & 5 A custom butterfly bracket system gives the COLORado PXL Curve series enhanced rigging stability and flexibility.

10.07

Chauvet ProfessionalLive & DJLight Snacks: Easy Patching with COLORado PXL Curve 1 & 5 Unlock greater programming precision with a streamlined patching workflow for PXL Curve fixtures.

09.16

Chauvet ProfessionalLive & DJLight Snacks: COLORado PXL Curve 1 & 5 Alignment and Fixture Spacing A closer look at the engineering that makes scaling COLORado PXL Curve arrays fast and precise.

09.02

Chauvet ProfessionalLive & DJLight Snack: ÉPIX Mounting Accessories A closer look at the mounting accessories that expand the creative possibilities of the ÉPIX system.

08.14

Chauvet ProfessionalLive & DJOne Series. Endless Possibilities. Meet the COLORado PXL Ecosystem. The COLORado PXL series offers a modular ecosystem of fixtures for seamless, scalable creative designs.

06.01

Chauvet ProfessionalLive & DJLight Snack: ÉPIX Optical Filters See how three included optical filters for ÉPIX Line fixtures shape light for diverse looks.

05.18

Chauvet ProfessionalLive & DJTech Talk: COLORado Solo Edge The COLORado Solo Edge delivers flawless front-of-stage light with a thoughtful, tour-ready design.

04.02

Chauvet ProfessionalLive & DJCOLORado PXL Curve 1: Dynamic Strobe Effects See how the COLORado PXL Curve 1 delivers precise strobe effects with dual warm and cool white tubes.

03.23

Chauvet ProfessionalLive & DJKey Enhancements to EPIX Drive 4 IP A closer look at the key enhancements to the EPIX Drive 4 IP, designed for faster setup and greater reliability.

03.09

Chauvet ProfessionalLive & DJSTRIKE Array Ultra: Rigging Features and Motorized Sweeps See how the STRIKE Array Ultra's versatile rigging and motorized pod unlock new creative effects.

02.23

Three pins, and nearly every signal in this business passes through them.

The magazine is named after the cable: the microphone in the booth, the line to the desk, the DMX run that fires the lights. Studio, stage and rig share the same cable. Most magazines pick one of the three. This one covers all of it, because the people we read do too — the engineer mixing a record on Tuesday is on front of house by Saturday.

Around a hundred and sixty sources, in English, Japanese, Spanish, German, French, Chinese and Italian: makers and their release notes, reviewers who put a hand on the thing, studios and touring crews, the producers and collectives surfacing this month and the scenes they came out of. Synths and modular, plugins and DAWs, guitars and drums, microphones, monitors, PA and lighting. What the trade is talking about is counted and plotted. The editor's letter has just started; it will find its rhythm.

For each story: a headline, a short excerpt, one picture and the link out. We never reprint the article, and the picture belongs to the maker or the photographer. A German review appears in German and a Japanese one in Japanese, as the writer published it; the link goes to the original.

Nothing is sold on this site. When a link leads to a shop, it is the maker's shop, not ours.